Statement
My work explores the body as a vessel. A temporary architecture through which memory, identity, desire, and spiritual consciousness move. Working exclusively with analog collage, I construct interior worlds where figures exist within thresholds, suspended between states of becoming.
Domestic rooms, nature, frames, and transitional spaces function as psychic environments rather than settings. These spaces hold the tension between the self performed for survival and the deeper self pressing to emerge. The work remains in that unstable middle ground, where identity has begun to loosen but has not yet reorganized.
A recurring presence emerges throughout the work, surrounding or pressing against the figure. It appears as a field, a doubling, or a subtle disturbance within the image. This presence functions as a force of internal reorganization, shaping how identity shifts, fractures, or reforms.
Recent work is informed by folklore, not as fantasy, but as a living system for understanding transition. Folklore carries the structures people have long used to navigate crossings from one life to another. In my images, these structures surface through veils, guardians, and thresholds, marking moments when the old self dissolves and something unnamed begins to take shape.
The work resists resolution. It stays with the charged interval, where change is already underway and the body is learning how to hold it.
Bio
Tracy von Ahsen (b. 1981, Long Island, NY) is a New York City–based artist whose work collages presence, memory, and self-reinvention. After earning a photography degree from the Fashion Institute of Technology and living at the Chelsea Hotel, she transitioned from photography to analog collage, cutting and layering images to reimagine symbols of identity, femininity, and spiritual becoming.
Her work is shaped by a lifelong engagement with transformation, moving through queer identity, altered states, and spiritual inquiry. Studies with monks in India, ceremonies in Peru’s Sacred Valley, and years inside New York’s downtown art world inform a practice that blends the intimate with the mythic.
Fusing pop culture, vintage imagery, and mystical storytelling, von Ahsen creates cinematic interior worlds where the self feels unstable, fluid, and in motion. Her collages operate as quiet portals, inviting viewers into a space where memory, desire, and parallel realities begin to overlap.
She has exhibited in New York at Amos Eno Gallery, Van Der Plas Gallery, the Leslie-Lohman Museum, and Prince Street Project Space, and continues to work from her studio in the East Village.